Friday, September 28, 2012

UNDERSTANDING ABSTRACT ART #43





“Buderim Forest”
(Synthetic Polymer)  
90x90cm 

ABOUT THIS PAINTING:

This painting evolved out of the videoing of a short documentary on my art. http://www.youtube.com/watch?v=FQ2MzRmoKBA  .
Much of my art addresses abstract subjects like the destruction of the natural environment in this century. In this painting I demonstrate the creative process of abstracting my work.

The area of the rainforest I was painting was the inner core of Buderim Forest where last year stood a dense natural forest of palms.  It is no longer there because not long after this painting was finished, this area was burnt by vandals.  At present it is a barren space in the heart of Buderim Forest.  It will regenerate but it will take time.

This painting alludes to the life force that mysteriously speaks of the hidden secrets of the natural world - things that should be treasured, nurtured and preserved but are presently in danger of being destroyed.  
 
Artistic techniques used in the painting:

As you can see from the video, I started the painting by pouring paint onto the canvas.  I was demonstrating just how random the beginning of a painting can be.  I used a restricted pallet of colours.  I selected them to appeal to the feeling of wellbeing which a rainforest exudes. 

I used house paints because I was flagrantly demonstrating not to be too precious about art making.  The selection of colours was Hot Pink, Purple, Warm Yellow, Cerulean Blue and Lime Green.  I do not usually use house paints but will do so on occasion to stimulate my creativity.  It is well known that many major Australian artists have also used house paint and enamel paints in their paintings... Sidney Nolan and Ian Fairweather, to name a couple.   

I used a roller to apply the paint.  Also I spread paper over the wet paint and randomly stamped the imprint back onto the canvas.  I also allowed the paint to run. You can see where the lines appeared that magiced a third dimension out of the two dimensional canvas.  Gradually trees appeared on the flat surface. 

My intention in doing this was to show how this random application of paint generates excitement and stimulates the creative process.  Those who have been following my blog posts know that this is not the way I usually work.  In this painting I used this approach to demonstrate for the video, the way creative order can evolve out of random chaos. 

Vertical lines dominate the painting.  They speak of the vertical thrust of the tall tropical rainforest trees.  I wanted to portray a feeling of being enveloped and nurtured by nature - a feeling that one feels when walking through Buderim Forest. 

Although green is the dominant colour in any forest, Buderim Forest it is not a cold harsh environment, but rather gentle and embracing, therefore I worked warm colours into the composition to capture peace and tranquility.

The creative process when in full flow, takes on a life of its own, and this painting was no exception.  The flat planes of colour which are my signature style, took on a more fragmented appearance due to the dappled light breaking through the trees.

The painting speaks of the serenity and tranquillity of the rainforest and the interdependence of everything that lives there.  This is true for us humans also, because we too are dependent on the Earth for our existence

Friday, September 21, 2012

UNDERSTANDING ABSTRACT ART #42





MY BOOK - “The Power of Creating” by Tanmayo  
eBook (free) and Hardcover Book (at cost)  
8x8cm  x  110 pages



Today I release my book “The Power of Creating”.  It is available in eBook (free) and Hardcover (at cost).  This is the link









ABOUT MY BOOK:

This is an extract from my new book:  “We all have different ways of expressing ourselves creatively.  Some of us are creative in work and making money, others are creative with technology etc.  Each of us is born with unique gifts to express ourselves and make our mark in life, and we feel happiest when we are using our creative strengths.  This is the way we fulfil ourselves.  This is what fuels our power.

Power is something that is sought in life but with little understanding of just what it is.  For instance many people think of power in terms of strength, or domination, but there is a lot more to power than that.  I am excited to be bringing to you the concept of the power of creating.  The ability to create is available for all and through this we can communicate with others to share our thoughts and feelings.  I just think how useful self expression is and how helpful it has proved to be for my own understanding of life’s processes.

This book tells a story about how I use my creativity to explore life as it unfolds in the present moment.  The paintings I share with you, chronicle important stages in my life’s journey.

Painting is my creative form of expression – it is the thing I enjoy doing the most.  So I have used my paintings and poems to illustrate my life. 

We each have our own idea of what will make us happy, and we can spend a lot of time looking for this elusive happiness.  I have simply used my creativity as a way to happiness.

As you look at the artwork in my book, you will find yourself wondering what the paintings mean.  Many of my paintings are abstract.  You may not have been bothered with paintings like these before.  You may initially feel you do not understand them.  Without looking further you will be able to satisfy this query for yourself, by looking at the explanation here on “Understanding Abstract Art”, which will help you to see my paintings in a different light.  It takes little time to read and it will give you a better understanding of abstract art.  The way you perceive the artworks also says something about you too, so take this opportunity. 

I hope you enjoy just looking at the paintings and reading the book as a retrospective of my art with each chapter representing a different stage in my personal journey.

In any case I hope that my paintings will encourage you to better appreciate the creative talents you have and help you to live a fulfilling life in whatever way you decide is best for you.  Remember, power comes from creating.
Abstract art requires you to ask yourself…


                Does the artwork create a feeling – happy/sad/angry?
Does the colour/title/composition/media convey a feeling?
                        Does size matter?

            Does it make you think or question?
Do you have to interact with it in some way i.e. technology/ using lights/sound/touch?

            Does it tell a story or no story?
                        Does it convey an idea?
                        Is there more than one layer of meaning – complexity?
                        Is it ambiguous or contradictory?
                        Is it just a pretty picture empty of meaning?
                        Does having no title make a statement?

Does it deliberately break the technical rules of art?
Is it purely an exercise in art technique with no meaning?
Does the composition feel balanced/unbalanced?
Do the colours harmonize/jar?
Does your eye travel to one area or all over the painting?

            Does the price of the artwork influence your perception of it worth?

            What was your initial response?
                        Has your initial response changed after considering the above?
It’s about you too – it’s an interaction - a two way form of visual communication.”.


I am keen to read your comments on what you think.  In next week’s post I will continue to analyse my abstract paintings.

Friday, September 14, 2012

UNDERSTANDING ABSTRACT ART #41





“Scene for Screen – “Day” and “Night” (previous blogs #39 and #40).
(Intaglio Prints and Sketches - Ink and Pencil)  
Size 16x14cm
ABOUT THIS ARTWORKS:

The intaglio prints seen here were done from the two drawings I did on a trip to Cape York, Qld. which is the most northerly point in Australia.    I adapted these drawings so that the aluminium plate used for the print was balanced and in reverse, so that when printed onto paper, it resembled the sketches. 

I am not a print maker and the print process was an exercise conducted at a workshop given by Judith Rosenberg.  This image had already been used for the screen “Day and Night”.  Like most of my artwork, I approach it as an exercise from which I will extend my knowledge and understanding of art making.

For those who are unfamiliar with intaglio printing I include here a copy from Wikipedia on the subject:



Intaglio is a family of printmaking techniques in which the image is incised into a surface, known as the matrix or plate, and the incised line or area holds the ink. Normally, copper or zinc plates are used as a surface, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint. Collographs may also be printed as intaglio plates.


In the form of intaglio printing called etching, the plate is covered in a resin ground or an acid-resistant wax material. Using an etching needle, or a similar tool, the image is engraved into the ground, revealing the plate underneath. The plate is then dipped into acid. The acid bites into the surface of the plate where it was exposed. Biting is a printmaking term to describe the acid's etching, or incising, of the image.  After the plate is sufficiently bitten, the plate is removed from the acid bath, and the ground is removed to prepare for the next step in printing.

Artistic techniques used in the artworks:



These sketches and prints demonstrate the art making process - drawing from nature through to creating other art forms.  I cannot emphasise more the benefits of drawing from nature.    Apart from honing one’s drawing skills, it also is a meditation where I am with the natural world in the Now.  



In posts #39 and #40, I discussed the different artistic techniques used to create this image such as materials, texture, composition, light and shade and colour.  Therefore I won’t repeat them again here.

Next week I may have a very BIG SUPRISE for you.  I promise you ... it is BIG!!

Friday, September 7, 2012

UNDERSTANDING ABSTRACT ART #40




“Screen - Night” (Reversible)
(Mixed media with Silver Leaf)  
148cm high x 128cm wide 

ABOUT THIS PAINTING:

"Night" is the reverse side of the screen I discussed in last week’s post.  I repeated the same subject composition but changed the mood with colour.  I observed moon lit nights so as to understand how the moon’s luminosity casts shadows among the trees.  How the colours are reduced and how light differs from day time.

Although the same scene is replicated, it was suprisingly, very challenging to reproduce it on both sides.  This is because my brain gets confused with reversals and plays games with just where the trees are supposed to be.  It’s hard to describe when the pictures are finished but it was difficult when producing it.

Artistic techniques used in the painting

The colours for “Night” were carefully planned.  Again a tertiary triadic colour scheme was used.  In this instance, Purple is the dominant colour.  The intermediary colour is Green and the subordinate colour is Orange.  

I have split the dominant Purple between Blue Violet and Red Violet (Alizarin Crimson and Magenta).  White is also been used.  The Green is Phthalo Green and the Orange is near Cad. Red Orange.  The Phthalo Green when mixed with Magenta turns into a cold steel grey, which I lighten with White.  The shadows are mixes of Orange, Blue Violet, Magenta, Phthalo Green and White.  The Aqua is the Phthalo Green and White.

I printed a photo of the painting and then decided where to place the silver leaf to best direct the viewers’ eye.  The point of interest is the Aqua area where the moon breaks through the trees.  Note that this area is broken into smaller, and more numerous shapes than any other area in the painting.

Texture is used in the tree foliage and the mid foreground, by adhering tissue paper to the canvas.  This technique is consistent with the other side “Day”.
Composition is discussed at length in the previous post (#39) and how the composition evolved will be the addressed next week when I also overview print making.

“Day” and “Night” represents for me the duality of existence.  Dialectic opposites make up a whole, just like life and death together equate to existence.  They are just like different sides of the same coin.