Showing posts with label Environment. Show all posts
Showing posts with label Environment. Show all posts

Friday, June 21, 2013

UNDERSTANDING ABSTRACT ART #82





Title:   “Cancer on Society” 
(Mixed Media)
120x61cm


THE IDEA BEHIND THE PAINTING and Artistic techniques used in the painting:

Cancer has become increasingly prevalent in our society in recent times.  We all have been touched in some way, either directly or indirectly by this epidemic.  My experience with cancer has been through palliative care. I am by profession an Expressive Art Therapist which allows me to use art as a counselling tool. 

A cancer develops in an organism when cells mutate and begin attacking healthy cells.  This painting shows corruption of matter. Corrupting the natural order - cannibalizing - similar to the way that cancer cells attack healthy cells in the body. 

Humanity is presently at a liminal point in time - an in between moment when things are changing rapidly in a way never before imagined.  The outcome may be positive or negative and will to become evident with time.  Both humanity and nature will be the driving forces in determining the outcome.

While seeking an emotional map for all this, humanity has to consider environmental questions raised by the exploitation of nature for monetary gains, such as fracking, mining and logging, all of which have resulted in obscene levels of degradation to the natural environment.  Humanity cannot live without the Earth - in a sense the earth is humanity’s body. 

The future also looks bleak on the biological front .  A recent book called “Frankenstein’s Cat” by Emily Anthes, discusses how biotechnology is shaping our future.  Scientists are storing DNA from the planet’s most exotic creatures.  On the positive side, they are cloning to protect endangered species, craft prosthetics to save injured animals, and employ genetic engineering to stock farms with disease-resistant livestock.   However on the negative side, other experiments have produced sensor-wearing seals, cyborg beetles, a bionic bulldog, a cloned cat and GloFish which glow in the dark.  She interviews scientists, conservationists, ethicists, and entrepreneurs and raises moral and ethical questions such as “What does biotechnology really mean for this world?”

Are these scientific experiments not similar to what cancer does – mutations replacing healthy organisms?”  Has humanity gone past the tipping point?  This is the dilemma raised in my painting “Cancer on Society”.

This painting is in the style of Abstract Expressionism.   This artistic style expresses individual autonomy and freedom in a manner that can be characterised as chaotic and anarchic.  Freedom in life is translated into artistic liberty with an emphasis on gestural spontaneity.

Painting “Cancer on Society” was like making an emotional map.  It did not solve the problems but it did externalize them and by so doing, the problems were then easier to comprehend.

The title of this painting is important to its understanding.  The form is two dimensional and flat.  The tone is neutral and monochromatic.  The colours are randomly mixed and covered with silver enamel spray. 

It is an experimental painting.  The final result which came about by accident is really very aesthetically pleasing.  It is hoped that the outcome for humanity is as pleasing and successful.  At this stage I think that we are looking into Pandora’s Box.  Will the benefits outweigh the risks?  I would invite your comments.

Friday, May 24, 2013

UNDERSTANDING ABSTRACT ART #78






“The Fractured Earth #6”

The Rockscape Series

 (Mixed water media with collage on watercolour paper) 

Size:  83x98cm (framed)



THE IDEA BEHIND THE PAINTING:



This painting is one of ten paintings in the Rockscape Series. This series deals with environmental issues and in particular the degradation of the oceans and their shores.  I used water media for this series to emphasise the watery theme.  All in this series are based on photographs of the rock formations seen at Point Cartwright near where I live in Australia.   Other posts about this series are found in Post No.19, 67, 69, and 72.  They discuss the paintings in “The Fractured Earth – Rockscape Series” #2, #4, #5 and #1 respectively. 



This particular one in the series deals with the pollution caused by oil spillage which is a real danger to the state of Queensland which relies on tourism for a major part of its revenue.



The photograph below is of one of these intriguing rock formations.  You must admit that it looks more like a moonscape than a rock on a coastal headland.







ART TECHNIQUES USED IN THIS PAINTING:



This paint was initially painted in watercolour and as true to the photograph as possible.  The green images in the painting represent the indentations in the rock’s surface.  Originally the background colour of the rock was a mauve violet in watercolour, but later I changed it to a bright yellow orange in acrylic.  I took this artistic licence because the painting was looking drab and needed to be lifted.  The indentations remained untouched and still in watercolour.  To achieve this I applied contact adhesive plastic to the entire paper surface and then outlined the green images.  I then cut around them and peeled the surrounding plastic off thus leaving the green images protected by the contact plastic.  I was then able to use a roller to apply the yellow orange acrylic evenly over the entire surface without damaging the green images which represent the indentations in the surface of the rock formation.  You will note that the yellow varies from a yellow orange in the centre to a yellow green at the edges.



I used two photos of crabs (different sizes) and placed them into the composition.  I then randomly poured a blue violet acrylic around the entire image in an anti-clockwise direction.  This final spontaneous action represents the disruption that oil spills have on the natural ocean environment. 



I would place this painting in the category of a documentary-history genre.  I would be interested to hear your comments on this.


Friday, April 12, 2013

UNDERSTANDING ABSTRACT ART #72






“The Fractured Earth #1”

Rockscape Series

(Watercolour and Gouache on paper) 

Size: 98x83cm (framed)



ABOUT THIS PAINTING



 I am fortunate to live in a very lovely part of the world.  The coastline of the Sunshine Coast, Australia can boast of sandy beaches and blue clean surf.  Also the coast has a temperate climate and sunny days hence its name. 



History is recorded in the rocks that form some parts of this coastline.  These weathered volcanic rocks, seen at Point Cartwright, are where I frequently walk.  I photographed these abstract shapes that have formed naturally eons ago.  They represent to me the span of time that this great land mass, (Australia), has been nurturing life.



When looking at this present coastline, one must realize that over the last 800,000 years there has been much change.  In fact geological studies reveal that about 120,000 years ago, Point Cartwright and her sister headlands were small islands.  The sea level we now experience has existed for the last 6,000 years carving the present rockscape of honeycomb weathered Landsborough sandstone.  The patterning is thought to be the result of the surface drying before it consolidated.



However science is showing us humans that the oceans and the coastal regions are in trouble.  This concern for the natural environment is the reason I painted the Rockscape Series.  This series, based on the photos I have taken of the rock formations at Point Cartwright, have inspired the series of ten watercolour and water media paintings called “The Fractured Earth – Rockscape Series”.  This is the first in the series - #1.  


Artistic techniques used in the painting:

The photo that inspired the painting discussed this week, is seen below.  It is a rockscape.




 

I originally sought to paint the photo accurately but with this particular painting during the art making process, I took artistic licence.  This process allowed me to maintain the abstract format that I favour for many of my paintings.   Seen here below is my rough drawing for the painting.







All ten paintings in the series are on full size sheets of watercolour paper and are framed in uniform.  Some of the other paintings in this series are reviewed in posts #19, 67 and 69.



Water colour painting is often very traditional and representational.  In this series I have tried to keep to the traditional application but have varied the subject matter to be abstract.  The size of these paintings also deviates from the traditional in that I have used full size sheets.



I would argue that the genre would fall into “Landscape” because of it being a Rockscape.  The abstract composition is however not as abstract as one would initially think because, the painting is consistent, in part, with the photo.



The composition is static, flat and balanced – typical of my Abstract Expressionistic approach.  The form is flat with fairly large planes of colour for a watercolour painting.  The tone is low to medium because there is not a lot of contrast.



A Triadic Colour scheme is used throughout.  Orange is the main colour.  Its compliment is Ultra Blue.  The Supporting Triadic Colours are Manganese Blue and Mauve (made from Permanent Violet and Rose Madder).  The Analogous Colours used here are Red Orange and Cad. Yellow.  Black (made from Prussian Blue and Perm. Rose) and White are also used.



Most of my paintings address abstract themes and the rationale behind them is discussed in more detail my 3 min. video http://www.youtube.com/watch?v=FQ2MzRmoKBA



I welcome your comments and value your interaction.





Monday, March 18, 2013

UNDERSTANDING ABSTRACT ART #69





“The Fractured Earth #5” 
(Watercolour on Handmade Paper) 
Size:  83x98cm

THE IDEA BEHIND THE PAINTING:

Last week’s blog featured a circle.  I have used the circle again in this painting “The Fractured Earth #5” which was inspired by the beauty of the coastal region on the Sunshine Coast (Australia) where I live.  I did this painting because of my concern that this beauty that we enjoy today, will not be here for the future generations.  It is hard to imagine this, when this morning I was walking along the beach where this photo (seen below) was taken.  The photo is of the volcanic rock formations that evolved through the natural cooling process and natural weathering over eons of time.  In parts of the coastal rock face I see petrified tree trunks and in other parts the spherical shapes caused by bubbling lava laid down during the Earth’s early history. 



The above photo shows live marine life (small shellfish) clustered in the cracks around this almost perfect circle formed by nature thousands of years ago.  My painting seeks to capture the time span that is imprinted in this costal environment – a time span that geological studies reveal are about 120,000 thousand years in the making. 

It is hard to believe on a beautiful day like today that our lovely environment is indeed fighting for survival.  But it seems that this is in fact, true.  The over fishing and the pollution of the oceans is pushing our lovely planet Earth to the brink of destruction according to the climate and environmental scientists.  When one sees the mega trawlers that indiscriminately fish the oceans then this realization becomes very evident, but just walking along the coastal beach one would never suspect that this devastation is looming.  It feels almost incomprehensible but this is what we humans are doing and the root cause of this threat is economic greed.  Therefore this painting shows the beauty of nature along with the longevity etched in the rocks that are on the brink of destruction.

This painting is one of a series of ten paintings that address environmental concerns about our oceans and coastal regions.

Art Techniques used to achieve this:

It could be said that this watercolour painting titled “The Fractured Earth #5” falls into the genre of landscape.  The complete series is called the Rockscape Series.  All the paintings in this series are inspired by photographs I have taken of this coastal region and each photo focuses on a particular aspect of the Rockscape.   Although I have portrayed the painting in a realistic way, the subject of the photos allows the paintings to look abstract.  I really prefer abstraction in the visual context because it taps into the unconscious processes of the viewer if they are reflective.

The symbol of the circle is universally used to represent wholeness and perfection.  It is no accident that I have used it here to depict the beauty of nature.  Last week’s blog (#68) discussed a circle that I used for a spiritual painting.

The composition is simple and is flat, which is consistent with my style even though I have portrayed each photo realistically.  It is balanced with the circle being central.  When the whole of the surface of a painting is dominated by a central image then this is described as a “medallion”.

Watercolour paint gives a very soft effect and the colours are clear and unambiguous.  An artist cannot “fudge” a watercolour painting because of its transparent quality.  The colours I have used are Red Violet, Hookers Green, Emerald Green, Sap Green, Manganese Blue, Phthalo Blue, Phthalo Green, Prussian Blue and Permanent Rose.

The style is contemporary.  The form is two dimensional and the concept is abstract.

The title gives the meaning of the art work and this title is used for the whole series.  Each painting in the series is numbered.