Showing posts with label Contemporary art.. Show all posts
Showing posts with label Contemporary art.. Show all posts

Friday, June 21, 2013

UNDERSTANDING ABSTRACT ART #82





Title:   “Cancer on Society” 
(Mixed Media)
120x61cm


THE IDEA BEHIND THE PAINTING and Artistic techniques used in the painting:

Cancer has become increasingly prevalent in our society in recent times.  We all have been touched in some way, either directly or indirectly by this epidemic.  My experience with cancer has been through palliative care. I am by profession an Expressive Art Therapist which allows me to use art as a counselling tool. 

A cancer develops in an organism when cells mutate and begin attacking healthy cells.  This painting shows corruption of matter. Corrupting the natural order - cannibalizing - similar to the way that cancer cells attack healthy cells in the body. 

Humanity is presently at a liminal point in time - an in between moment when things are changing rapidly in a way never before imagined.  The outcome may be positive or negative and will to become evident with time.  Both humanity and nature will be the driving forces in determining the outcome.

While seeking an emotional map for all this, humanity has to consider environmental questions raised by the exploitation of nature for monetary gains, such as fracking, mining and logging, all of which have resulted in obscene levels of degradation to the natural environment.  Humanity cannot live without the Earth - in a sense the earth is humanity’s body. 

The future also looks bleak on the biological front .  A recent book called “Frankenstein’s Cat” by Emily Anthes, discusses how biotechnology is shaping our future.  Scientists are storing DNA from the planet’s most exotic creatures.  On the positive side, they are cloning to protect endangered species, craft prosthetics to save injured animals, and employ genetic engineering to stock farms with disease-resistant livestock.   However on the negative side, other experiments have produced sensor-wearing seals, cyborg beetles, a bionic bulldog, a cloned cat and GloFish which glow in the dark.  She interviews scientists, conservationists, ethicists, and entrepreneurs and raises moral and ethical questions such as “What does biotechnology really mean for this world?”

Are these scientific experiments not similar to what cancer does – mutations replacing healthy organisms?”  Has humanity gone past the tipping point?  This is the dilemma raised in my painting “Cancer on Society”.

This painting is in the style of Abstract Expressionism.   This artistic style expresses individual autonomy and freedom in a manner that can be characterised as chaotic and anarchic.  Freedom in life is translated into artistic liberty with an emphasis on gestural spontaneity.

Painting “Cancer on Society” was like making an emotional map.  It did not solve the problems but it did externalize them and by so doing, the problems were then easier to comprehend.

The title of this painting is important to its understanding.  The form is two dimensional and flat.  The tone is neutral and monochromatic.  The colours are randomly mixed and covered with silver enamel spray. 

It is an experimental painting.  The final result which came about by accident is really very aesthetically pleasing.  It is hoped that the outcome for humanity is as pleasing and successful.  At this stage I think that we are looking into Pandora’s Box.  Will the benefits outweigh the risks?  I would invite your comments.

Friday, June 7, 2013

UNDERSTANDING ABSTRACT ART #80







“Bridie - Portrait”

(Watercolour) 

Size: 30x22 cm



THE IDEA BEHIND THE PAINTING:



This is one of the portraits that I did of my family.  Watercolour paint is the medium decided for my granddaughter Bridie because I felt that it best suited her personality.   I painted it from this photograph (below) in a very representational way.  I did this because although many of my paintings are abstract, with family portraiture I am capturing a record of a person in time.






Art Techniques used to achieve this:



I drew the painting first having gridded up the photo. The drawing is seen below:-








Because the photo was taken outdoors, I used what is known as a “Cool Light Sequence”  -  this keeps the background cool and the face and figure warm.  (I have discussed the difference between warm and cool colours before).







The palette used for this painting is as follows:-



Watercolour Palette:

Aureo. Yellow

Rose Madder

French Ultra Blue

Cad. Red

Windsor Blue (or Phthalo Blue)

Indian Red

Aliz. Crimson

Veridian

Cobalt Blue

Light Red

Windsor Green (or Phthalo G.)



I did the background first.  I used 300g watercolour paper.  I saturated the paper with water to paint the background – leaving the paper under the face and hair dry.  I then applied the glazes and allowed the paper to dry between each glaze.  That way I was able to increase the intensity of the colour where needed – ie close to the face.



Painting using watercolour paints requires more experience than acrylics.  It is a very exacting medium.                           



I have written about using watercolour paint for portraits in posts #10 and 64.  I also discussed portrait painting in post #54 where I reviewed other family portraits.  Feel free to back track on this blog to read the referenced posts.

Friday, May 31, 2013

UNDERSTANDING ABSTRACT ART #79


“Crazed – Cutting and Piercing” (Drawing)
Carbon, Ink, charcoal, watercolour pencil, Silver leaf on paper board
75x75cm  (unframed)

ABOUT THIS PAINTING:

 I had a friend whose daughter was self-harming.  This dysfunctional behaviour is much more wide spread than generally considered.  My drawing reflects on this dysfunctional behaviour.   Statistics show that it is mainly distressed young people (mostly women/girls) who self-harm.  My professional background is that of a qualified Art Psychotherapist so through my line of work I am familiar with this aberrant behaviour.  It is prevalent in Western countries and is considered to be a way of expressing emotional pain and externalizing it in a very damaging way.  The pain is said to release and relieve the tension that the person is experiencing. The person who self-harms will carry the scars of these actions for the rest of their life.  It is also very distressing for family members who are often bewildered and powerless to prevent this dysfunctional behaviour.  The young person may cover their wounds and scars with long sleeves and often will withdraw from socially healthy interactions.  The person who self-harms should seek professional help because there are many alternative healthy ways of gaining release from tensions and stress that are very effective.  A person who is self harming really needs to contact a mental health professional NOW.   Harming yourself is definitely NOT COOL!

 Artistic techniques used in this painting:

This painting is not framed.  It is never meant to framed.  The title is important too.

I selected a thick white paper (almost like a thin cardboard) and tore the edges to 75cm square.  I wanted a square to provide stability for such an unstable subject.  I started the work by masking out a border around the entire sheet so that the sheet had a contrast of a white border and then dark grey (which was pierced) and then a black band thus leaving a square interior for me to draw.  I knew in advance roughly what I wanted to draw.  This drawing is not spontaneous but it is experimental in that I used methods which I had not done before.

The dark grey border of the paper was pierced with a sharp instrument in order to achieve a patterned effect.  Some of the red acrylic paint which is on the reverse of the painting shows through the pierced holes in places. 

The centre of the drawing was planned in advance.  I have a beautiful piece of pottery, the glaze of which has a “crazed” look.  According to Wikipedia “Crazing is a  web pattern of cracks penetrating the glaze on pottery.”   I took photos of this pottery piece and enlarged the crazed patterns to a size that fitted the centre of my drawing.  I then printed it out so that I had six images of the crazed pattern.  I placed these six images on the centre of my drawing and cut (by tracing their lines with a razor) through the “crazed” lines into the surface of the paper board.  I then discarded the photocopies and outlined the cut pattern with black ink.  I used a watercolour pencil to achieve the red tinge on this patterning.

The silver leaf represents the sharps that are used by people when they cut themselves.  I stiffened silver leaf and tore it at random so that sharp shapes were formed.  These I adhered to the crazed image.

The back of the paper I painted with red acrylic and purposely stained the edges of the artwork so that the red edges are seen from the front of the drawing.  This represents the internal emotional pain which people who self-harm strive to release and the externalization of that pain.

Self-harming is a cry for help.  Seek a qualified art therapist or mental health professional if you are self-harming.  I do not practice any more but qualified art therapists can be sourced on the Australian and New Zealand Arts Therapy Association (ANZATA) http://www.anzata.org/  (Go to Professional Registry).  There are art therapy associations in other countries also.  They can be sourced on the internet. 

Self-harming is an illness not to be silently suffered.

Saturday, May 11, 2013

UNDERSTANDING ABSTRACT ART #76







“Thoughts Moving in Consciousness #2”
Satsang Series
Acrylic and Ink on handmade paper
104x70cm  (unframed)

ABOUT THIS PAINTING:

 If there has been one single thing that I have learnt over my life it is that I am happiest when I am in the Now.  It has taken a long time to train myself to be thus.  This does not mean that I don’t remember the past, it is simply that I have no need to dwell on particular past events.  Also if I feel uneasy about something (cognitive dissidence) I can readily trace the source of this unease. This does not mean that my mind is in a bliss-like trance, but rather that my mind is not active until it has to respond to something.  It’s a little like a car which is idling until it is put into gear and the accelerator activated.  

It is quite natural for a human to have thoughts.  A meditative life is when one is consciously aware of those thoughts.  This state of being is what this painting is trying to portray to the viewer.

It was painted when I was visiting an ashram in India.  “Ashram” is an Indian word for a spiritual retreat centre.  There are many different types of ashrams in India and many are affiliated with different teachings and practices for personal and spiritual growth.  The particular ashram where I was staying was not tied to any particular religion and focused on meditation.   (Meditation is not a religion but is a discipline for focused awareness).  The arts (dance, music, painting etc) were encouraged.  There were a couple of art studios in the ashram and that is where I did this painting. 

Artistic techniques used in this painting:

 This painting falls into the category of genre painting.  A genre painting is a painting that is outside of portraiture, history painting or landscape.  It generally is a category for ordinary subjects.  The subject of this painting is the experience of meditation.

The style is abstract.  Many of my paintings could be called Abstract Expressionism and I would class this one in that category.  I find that this style readily lends itself to the abstract meaning behind the painting because the painting is more about the experience of meditation than the concept of meditation.

The title refers to the meditative process where thoughts move in and out of consciousness.  The ink marks splattered randomly at intervals onto the paper represent those thoughts that interrupt the constancy of a still mind – this is what meditation is all about.

The colour is predominantly red-orange which in this case represents high energy and passion (not sexual passion).  It is in a heightened awareness that one attains enlightenment.

The tone of the painting is low without very much contrast. 

This painting is one of the Satsang Series.  Two other paintings in this series are discussed in posts #33 and #66.  They were all painted at the ashram.

It is hoped that these paintings bring people to a better understanding of what meditation is about.