Showing posts with label Mathew Collings. Show all posts
Showing posts with label Mathew Collings. Show all posts

Friday, May 25, 2012

UNDERSTANDING ABSTRACT ART #25




“Female”   (Clay)  Size:  60cm high

ABOUT THIS ARTWORK

Art as in painting is what I have been doing for as long as I can remember.  However it is not unusual for an artist to try their hand at other art forms.  I would not call myself a sculptor, but have from time to time had a foray into that field.  The above piece was done under the instruction of a master sculptor Janna Paneijer.  I created a maquette in clay about the size of my hand.  It was from that small piece that I fashioned this piece.  I would not have been able to achieve these proportions in clay without the guidance I received from Janna.  It stands 60cm high and took 4 bags of clay.
The British artist, critic, writer and broadcaster Mathew Collings has explored the concept of beauty in art.  He presents 10 characteristics which he says define beauty in art.  They are briefly listed here:
Nature – A visual essence that humans of all races are hardwired to respond;
Simplicity  - Symmetrical elegance of visual communication;
Unity  -  The parts all fit together and become one thing;
Transformation -.Imbues an idea into a powerful symbolic form;
The Surroundings of an artwork create atmosphere which contributes to the beauty of the art piece;
Animation is a power or liveliness that is contained within the artwork;
Surprise  to see the known so it can be re-seen;
Pattern Organizing visual experience so it gives pleasure to the eye;
Selection  - not random but finding relationship that creates tension and freshness;
Spontaneity – Improvisation makes up the personality of the artwork.
In Collings’s video on “What is Beauty” these 10 principles are applied individually to 10 different works of art.  The 10 principles are not needed to be collectively in each individual artwork.
It is interesting to consider them when looking at abstract art because they do apply cross culturally and abstract art is a non-verbal language that is understood conceptually.

Artistic techniques used in the sculpture:

My paintings all favor a characteristic flatness and abstraction.  I can paint a realistic portrait but generally my paintings are distinct for their abstractness and flat planes of rich colour.  I feel that this “signature” is carried over to my sculpture also.  The above piece is titled “Female” and encapsulates the essence of the feminine.  The form is abstract but undeniably symbolizes the female.  Its simplicity and abstraction adds to its strength and elegance.  It is symmetrical in shape and I think… beautiful.
What do you think?

Saturday, May 19, 2012

UNDERSTANDING ABSTRACT ART #24



"Honesty"  (Acrylic on Masonite)  Size 77x103cm

ABOUT THIS PAINTING:

We’ve all heard of dirty linen getting aired in public.  But in this painting it is “clean linen” as opposed to “dirty laundry” being aired.  The painting is called “Honesty”.  

The subject matter – clean laundry was central to my life at that time having had four babies within three years.  Upon reflection, it surprises me that I had time to paint at all.

Artistic techniques used in the painting:

The palette uses Analogous colours of Blue/Violet/Red and White.  The Complimentary colour Yellow is also used.  As I have said in earlier posts, I spend quite a bit of time mixing my palette.  I have not used Black.  The painting is in mid tonal value.

The composition again is flat which a characteristic of most of my paintings is.  I have made no attempt of anchor the subject (the laundry basket) to the ground.  The shape of the basket takes most of the canvas and its rectangular shape repeats the shape of the whole painting.  The repeated patterning of the plastic basket creates rhythm and the variation in the colour theme in the last third of the canvas adds interest and provides a vertical emphasis which is balanced by the shape of the pink linen in the basket.  Imagine if that was not there – the subject would then become boring.  I have never tired of this painting probably due to the subtlety of its colours and the honesty for which it speaks.  It always seems fresh to me.

What do you think of the title?  Do you think it conveys the essence of the painting?

The previous three posts have addressed a local issue about trees and for those who have responded, I am happy to say that, although there has been no correspondence or communication from the Sunshine Coast Council, the surveyor pegs on the property have been removed and the trees in questions are still standing.  A big THANK YOU to all who sent emails.

Next week I will take Mathew Collings analysis of “What is Beauty” and apply it to some of my art over a few of the following weeks.

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